The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theatre

Authors

Katelyn Rose King
Hochschule der Künste Bern
DOI: https://doi.org/10.36950/edv-chm-2024.15

Synopsis

Cover with drawing of a choir

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Volume

Schweizer Chorleben seit 1800: Musik, Praxis und Kontexte

Published

December 5, 2024
Copyright (c) 2024 Caiti Hauck; Claudio Bacciagaluppi, Irène Minder-Jeanneret, Antonio Baldassarre, Friedhelm Brusniak, Beat Föllmi, Delphine Vincent, Thomas Gartmann, Katelyn Rose King, Dominik Sackmann, Stephan Klarer, Lukas Näf, Noémie Favennec-Brun; Cristina Urchueguía; Willi Derungs

License

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

King, K. R. (2024). The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theatre. In C. Hauck & C. . Urchueguía (Eds.), Schweizer Chorleben seit 1800: Musik, Praxis und Kontexte. BOP Books. https://doi.org/10.36950/edv-chm-2024.15